{"id":462,"date":"2023-09-21T12:53:09","date_gmt":"2023-09-21T12:53:09","guid":{"rendered":"https:\/\/mehmetozgurersan.com\/?p=462"},"modified":"2023-09-21T12:53:09","modified_gmt":"2023-09-21T12:53:09","slug":"asik-dertli-turk-asik-ve-sair","status":"publish","type":"post","link":"https:\/\/mehmetozgurersan.com\/?p=462","title":{"rendered":"\u00c2\u015eIK DERTL\u0130 T\u00dcRK A\u015eIK VE \u015eA\u0130R"},"content":{"rendered":"
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A\u015f\u0131k Dertli (1772, Bolu – 1846, Ankara), T\u00fcrk halk ozan\u0131.Bolu ile Gerede aras\u0131nda Re\u015fadiye (\u00c7a\u011fa, Yeni\u00e7a\u011fa) nahiyesine ba\u011fl\u0131 \u015eahnalar k\u00f6y\u00fcnde 1772 y\u0131l\u0131nda do\u011fan Dertli, 1845 y\u0131l\u0131nda Ankara’da \u00f6lm\u00fc\u015ft\u00fcr. Mezar\u0131 Gerede yak\u0131nlar\u0131nda Esentepe’dedir. Sonradan anayol \u00fczerinde bir t\u00fcr “An\u0131tmezar” yap\u0131lm\u0131\u015ft\u0131r.<\/div>\n
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As\u0131l ad\u0131 \u0130brahim ve mahlas\u0131 L\u00fctfi’dir.<\/div>\n
Babas\u0131 Karah\u00fcseyino\u011fullar\u0131\u2019ndan Ali A\u011fa\u2019d\u0131r. \u00c7ocuklu\u011fu \u00e7obanl\u0131kla ge\u00e7ti, babas\u0131 \u00f6l\u00fcnce nahiyenin \u00e2yan\u0131 Halil A\u011fa k\u00fc\u00e7\u00fck ya\u015fta babas\u0131z kalan Dertli’nin babadan kalma tarlas\u0131n\u0131, mallar\u0131n\u0131 davarlar\u0131n\u0131 elinden al\u0131r. Dertli de,<\/div>\n
bir s\u00fcre Deveciler k\u00f6y\u00fcnde bir akrabas\u0131n\u0131n yan\u0131nda kald\u0131, daha sonra \u0130stanbul\u2019a gitti.<\/div>\n
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\u00a0O y\u0131llarda devlet Anadolu\u2019dan \u0130stanbul\u2019a gelip yerle\u015fmeyi uygun bulmad\u0131\u011f\u0131ndan o da \u0130stanbul\u2019da bar\u0131namayarak geri d\u00f6nd\u00fc. Konya\u2019da Hac\u0131 \u00c2s\u0131m adl\u0131 bir kahvecinin yan\u0131nda \u00fc\u00e7 y\u0131l \u00e7\u0131rakl\u0131k yapt\u0131. Daha sonra M\u0131s\u0131r\u2019a gitti, orada on y\u0131l kald\u0131. Konya\u2019da ve M\u0131s\u0131r\u2019da hem \u00e7al\u0131\u015ft\u0131 hem de \u00e2\u015f\u0131k kahvelerine gitti, bu arada tekkelerde de bulundu.<\/div>\n
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\u00a0Sonra yine k\u00f6y\u00fcne d\u00f6nm\u00fc\u015f evlenmi\u015f.K\u00f6y\u00fcne d\u00f6n\u00fcnce H\u00e2fize adl\u0131 bir han\u0131mla evlendi. \u00d6mer ve Seyyid Ali ad\u0131nda iki \u00e7ocu\u011fu oldu.Ama Dertli, birazda ozanl\u0131\u011f\u0131n\u0131n verdi\u011fi d\u00fcrt\u00fclerle olsa gerek, al\u0131\u015ft\u0131\u011f\u0131 ba\u015f\u0131 bo\u015f gezgincili\u011finin d\u00fcrt\u00fcs\u00fcyle yine yollara d\u00fc\u015fm\u00fc\u015f.<\/div>\n
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\u00c2\u015f\u0131k Dertli gezdi\u011fi yerlerde hareketli bir hayat ya\u015fam\u0131\u015f oldu\u011fu i\u00e7in aile mesuliyetini omuzlar\u0131nda ta\u015f\u0131yabilecek istikrardan uzak, derbeder bir hayata al\u0131\u015fm\u0131\u015ft\u0131. Bu y\u00fczden ailesini k\u00f6yde b\u0131rakarak tekrar gurbete \u00e7\u0131kt\u0131. Anadolu\u2019yu bir u\u00e7tan bir uca gezdi. Sivas, Ankara, \u00c7ank\u0131r\u0131 ve Amasya\u2019da \u00e2\u015f\u0131k meclislerinde pek \u00e7ok kimseyle tan\u0131\u015ft\u0131, saz \u00e7al\u0131p \u015fiirler s\u00f6yledi.<\/div>\n
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1826’da \u0130stanbul’a gitmi\u015f, k\u0131sa s\u00fcreli birka\u00e7 memurluk yapm\u0131\u015ft\u0131r. \u015eehrin me\u015fhur \u00e2\u015f\u0131klar\u0131n\u0131n bulundu\u011fu Be\u015fikta\u015f, Tahtakale ve Tavukpazar\u0131\u2019ndaki kahvelerde saz \u00e7alarak ad\u0131n\u0131 duyurdu. Hem sesinin g\u00fczel olmas\u0131 hem de iyi saz \u00e7almas\u0131 \u00e2\u015f\u0131k fas\u0131llar\u0131nda ve zengin konaklar\u0131nda b\u00fcy\u00fck ilgi g\u00f6rmesine sebep oldu. \u00c7\u00f6zd\u00fc\u011f\u00fc muammalarla kazand\u0131\u011f\u0131 m\u00fck\u00e2fatlar\u0131 meslekta\u015flar\u0131 aras\u0131nda payla\u015ft\u0131rarak hakl\u0131 bir \u015f\u00f6hrete kavu\u015ftu ve \u00fcstat olarak tan\u0131nd\u0131. Bir s\u00fcre sonra \u0130stanbul\u2019da bulunan eski Bolu mutasarr\u0131f\u0131 H\u00fcsrev Pa\u015fa\u2019ya intisap etti ve onun \u015famdan a\u011fas\u0131 oldu.<\/div>\n
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II. Mahmud\u2019un yapt\u0131\u011f\u0131 fes ink\u0131l\u00e2b\u0131 ba\u015flang\u0131\u00e7ta halk aras\u0131nda tepkiyle kar\u015f\u0131land\u0131\u011f\u0131ndan H\u00fcsrev Pa\u015fa Dertli\u2019yi te\u015fvik ederek \u201cfes\u201d redifli bir kaside yazd\u0131rd\u0131. Fesi ve fes giymeyi \u00f6vd\u00fc\u011f\u00fc bu kasidesiyle saray\u0131n iltifat\u0131n\u0131 kazanan Dertli\u2019ye \u00c7a\u011fa \u00e2yanl\u0131\u011f\u0131 verildi. Fakat derbederli\u011fi, i\u00e7kiye d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc ve bilhassa toplanan vergilerin b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 zimmetine ge\u00e7irmesi y\u00fcz\u00fcnden k\u0131sa zamanda bu g\u00f6revden azledildi; birdenbire her \u015feyini kaybederek sefil ve peri\u015fan oldu.<\/div>\n
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1840\u2019ta Bilecik\u2019e ba\u011fl\u0131 G\u00f6lpazar\u0131 kasabas\u0131nda intihara bile te\u015febb\u00fcs etti. \u00d6nceleri Lutf\u00ee mahlas\u0131n\u0131 kullan\u0131rken bu olaydan sonra art\u0131k Dertli mahlas\u0131n\u0131 kullanmaya ba\u015flad\u0131. Ancak bir m\u00fcddet sonra Bolu defterdar\u0131 H\u00fcsn\u00fc Efendi\u2019nin himayesi alt\u0131na girdi. Bir yere ba\u011flan\u0131p kalmaktan ho\u015flanmayan Dertli yine gurbete \u00e7\u0131kt\u0131.<\/div>\n
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Ankara e\u015fraf\u0131ndan \u00c2li\u015fan Bey\u2019in himayesine girdi, onu \u00f6ven \u015fiirler s\u00f6yledi, onun kona\u011f\u0131nda vefat etti. Bir \u015fiirindeki vasiyeti \u00fczerine \u00c2li\u015fan Bey, \u015fairi M\u00fcneccim tepesi yak\u0131n\u0131ndaki mezarl\u0131\u011fa g\u00f6md\u00fcrd\u00fc.<\/div>\n
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Dertli\u2019nin mezar\u0131, Samanpazar\u0131\u2019ndan Koyunpazar\u0131\u2019na giden yoldan Cebeci\u2019ye ayr\u0131lan b\u00f6l\u00fcm \u00fczerinde bulunuyordu. Ankaral\u0131lar mezar\u0131n\u0131n topra\u011f\u0131n\u0131n \u015fifal\u0131 oldu\u011funa inan\u0131rlard\u0131. Mezar\u0131 bir yol yap\u0131m\u0131 s\u0131ras\u0131nda topra\u011fa kar\u0131\u015farak kayboldu.<\/div>\n
K\u00f6y\u00fcne d\u00f6n\u00fcnce H\u00e2fize adl\u0131 bir han\u0131mla evlendi. \u00d6mer ve Seyyid Ali ad\u0131nda iki \u00e7ocu\u011fu oldu.<\/div>\n
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\u00a0\u00d6l\u00fcm y\u0131l\u0131 kaynaklarda 1845, 1846 ve 1848 olarak de\u011fi\u015fik \u015fekilde verilmektedir.1845 y\u0131l\u0131nda Ankara’da vefat edip oraya defnedilen Dertli’nin kabri, 105 y\u0131l sonra Yeni\u00e7a\u011fa’ya ta\u015f\u0131nm\u0131\u015ft\u0131r.Dertli\u2019nin mezar\u0131 bug\u00fcn Bolu-Gerede karayolu \u00fczerinde Bolu\u2019nun Yeni\u00e7a\u011fa il\u00e7esinin \u015eahnalar k\u00f6y\u00fcndedir.<\/div>\n
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Sanat\u0131 D\u00fc\u015f\u00fcncesi<\/div>\n
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Divan, halk ve tekke edebiyatlar\u0131ndaki geni\u015f k\u00fclt\u00fcr\u00fc sayesinde daha sa\u011fl\u0131\u011f\u0131nda yayg\u0131n bir \u015f\u00f6hret kazanm\u0131\u015f, divan\u0131 ta\u015f bask\u0131s\u0131yla bir\u00e7ok defa bas\u0131lm\u0131\u015ft\u0131r. Fuz\u00fbl\u00ee, \u00c2\u015f\u0131k \u00d6mer, Gevheri gibi \u015fairlerin .<\/div>\n
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Dertli’nin ilk takma ad\u0131 “L\u00fctfi”dir. Genellikle, kulland\u0131\u011f\u0131 “Dertli” takma ad\u0131n\u0131n ya\u015fam\u0131n\u0131n g\u00fc\u00e7l\u00fcklerinden geldi\u011fi s\u00f6ylenir, ama bir ba\u015fka s\u00f6ylenti de bir sevi y\u00fcz\u00fcnden kendisini usturayla \u00f6ld\u00fcrmeye kalk\u0131\u015ft\u0131\u011f\u0131 i\u00e7in “Dertli” ad\u0131n\u0131 ald\u0131\u011f\u0131 yolundad\u0131r. Dertli hem aruz, hem hece \u00f6l\u00e7\u00fclerini kullanm\u0131\u015ft\u0131r. Divan\u0131 vard\u0131r.<\/div>\n
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\u00a0Ancak, as\u0131l \u00fcn\u00fcn\u00fc, ozanl\u0131k de\u011ferini hece \u00f6l\u00e7\u00fcleriyle yazd\u0131\u011f\u0131 \u015fiirlerinde g\u00f6stermi\u015ftir. Bekta\u015fi’dir. Tekke ve Divan edebiyat\u0131m \u00e7ok iyi bildi\u011fi anla\u015f\u0131l\u0131yor. Divan edebiyat\u0131m bilmesi, kent k\u00fclt\u00fcr\u00fcyle ili\u015fki kurmas\u0131 Dertli’nin de dilinde, s\u00f6yleyi\u015finde bu k\u00fclt\u00fcr\u00fcn izlerini b\u0131rakm\u0131\u015ft\u0131r.<\/div>\n
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\u015eiirlerinde divan \u015fairlerinden Fuz\u00fbl\u00ee ve Ba\u011fdatl\u0131 R\u00fbh\u00ee\u2019nin, halk \u015fairlerinden \u00c2\u015f\u0131k \u00d6mer, Gevher\u00ee, Kaygusuz Abdal ve Pir Sultan Abdal\u2019\u0131n tesirleri kendini g\u00f6sterir. Dertli’nin Gevheri, A\u015f\u0131k \u00d6mer, Fuzuli gibi ozanlar\u0131n etkilerini ta\u015f\u0131yan Dertli, \u00e7a\u011f\u0131n\u0131n \u00f6b\u00fcr saz \u015fairleri gibi aruzla gazeller, divanlar, kalenderiler yazm\u0131\u015ft\u0131r<\/div>\n
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XIX. y\u00fczy\u0131l\u0131n di\u011fer halk \u015fairlerinde g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi Dertli de hem aruz hem hece vezniyle \u015fiirler s\u00f6ylemi\u015fse de onun ba\u015far\u0131l\u0131 oldu\u011fu t\u00fcr hece veznidir. \u015eiirleri pek \u00e7ok yabanc\u0131 kelime ve terkiplerle dolu olmas\u0131na ra\u011fmen belli bir lirizme sahiptir. Elinde saz\u0131 diyar diyar dola\u015fan Dertli, zaman zaman k\u00f6y\u00fcnde sefil b\u0131rakt\u0131\u011f\u0131 ailesini ve \u00e7ocuklar\u0131n\u0131 hat\u0131rlam\u0131\u015f, bu durumu \u00e7ok hazin bir \u015fekilde \u015fiirlerinde dile getirmi\u015ftir<\/div>\n
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\u00c7a\u011f\u0131n\u0131n \u00fcnl\u00fc yayg\u0131n, ki\u015fili\u011fi etkin birka\u00e7 ozan\u0131ndan biri oldu\u011fu ku\u015fku g\u00f6t\u00fcrmez. Tek kitab\u0131 Dertli Divan\u0131 birka\u00e7 kez bas\u0131ld\u0131.<\/div>\n
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Dertli, badeli \u00e2\u015f\u0131klar\u0131m\u0131zdand\u0131r. “Otuz dokuz g\u00fcn hizmetinde kusur etmedi\u011fi gezginci bir dervi\u015f de \u0130brahim’den k\u0131rk\u0131nc\u0131 g\u00fcn sabah\u0131 bir bardak su istemi\u015f. \u0130kinci barda\u011f\u0131 \u0130brahim’e besmele ile i\u00e7irmi\u015f, i\u015fte \u00e2\u015f\u0131kl\u0131k ilmini bu bir bardak sudan alm\u0131\u015f ve badeli \u00e2\u015f\u0131k olmu\u015ftur.” (Berbero\u011flu 1955: 4, Yard\u0131mc\u0131 2009: 270-271).<\/div>\n
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\u0130lk \u015fiirlerinde L\u00fctft, M\u0131s\u0131r d\u00f6n\u00fc\u015f\u00fc sonras\u0131nda s\u00f6yledi\u011fi \u015fiirlerinde ise ba\u015f\u0131ndan ge\u00e7en \u00e7e\u015fitli olaylar sebebiyle Dertli mahlas\u0131n\u0131 kullanm\u0131\u015ft\u0131r. Hem aruz, hem de hece vezniyle \u015fiirler yazm\u0131\u015ft\u0131r. Bunlar aras\u0131nda hece ile s\u00f6yledikleri daha ba\u015far\u0131l\u0131d\u0131r. Fes ve saz \u00fczerine s\u00f6yledi\u011fi \u015fiirleriyle \u00f6nlenmi\u015ftir. Aruzlu olan \u015fiirlerinin dili a\u011f\u0131rd\u0131r. \u015eiirlerinin ana temas\u0131n\u0131 din ve tasavvuf, be\u015fer\u00ee a\u015fk, sosyal ve toplumsal konular, hiciv ve mizah, tabiat ve tabiat g\u00fczellikleri, gurbet, hasret, dert, s\u0131k\u0131nt\u0131, vb. olu\u015fturmaktad\u0131r.<\/div>\n
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Dertli biraz da mensubu oldu\u011fu Bekta\u015fi tarikat\u0131n\u0131n etkisiyle, Hazreti Ali’ye a\u015fkla ba\u011flanm\u0131\u015ft\u0131r. Dertli’nin yolundan giden \u00e2\u015f\u0131klar gelecekte bir \u00e2\u015f\u0131k kolunun olu\u015fmas\u0131n\u0131 sa\u011flam\u0131\u015flard\u0131r. Bu \u00e2\u015f\u0131k kolunda Geredeli Figan\u0131, Mudurnulu Ya\u011fc\u0131 Emin, \u00c7ank\u0131r\u0131l\u0131 Pinhan\u00ee, \u00c7ank\u0131r\u0131l\u0131 Cudi, Ilgazl\u0131 Naili ve Kastamonulu Yorgans\u0131z Hakk\u0131 gibi Bolulu, \u00c7ank\u0131r\u0131l\u0131 ve Kastamonulu \u00e2\u015f\u0131klar yeti\u015fmi\u015ftir. Dertli ya\u015fad\u0131\u011f\u0131 d\u00f6nemin \u015fairlerinden Everekli (Develili) Seyr\u00e2n\u00ee, Erzurumlu Emrah ve Bayburtlu Zihn\u00ee ile birlikte de\u011ferlendirilmelidir.<\/div>\n
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Sultan II. Mahmud d\u00f6neminde fes giyilmesi kabul edilince fesi \u00f6ven redifli bir kaside yazd\u0131. \u00d6d\u00fcl olarak \u00c7a\u011fa’ya ayan olarak atand\u0131.<\/div>\n
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Divan t\u00fcr\u00fcndeki \u015fiirleri ba\u015far\u0131l\u0131 de\u011fildir. As\u0131l Ancak, as\u0131l \u00fcn\u00fcn\u00fc, ozanl\u0131k de\u011ferini hece \u00f6l\u00e7\u00fcleriyle yazd\u0131\u011f\u0131 \u015fiirlerinde g\u00f6stermi\u015ftir. Bekta\u015fi’dir. Tekke ve Divan edebiyat\u0131m \u00e7ok iyi bildi\u011fi anla\u015f\u0131l\u0131yor. Divan edebiyat\u0131m bilmesi, kent k\u00fclt\u00fcr\u00fcyle ili\u015fki kurmas\u0131 Dertli’nin de dilinde, s\u00f6yleyi\u015finde bu k\u00fclt\u00fcr\u00fcn izlerini b\u0131rakm\u0131\u015ft\u0131r \u00c7a\u011f\u0131n\u0131n etkin birka\u00e7 ozan\u0131ndan biri olan Dertli\u2019nin \u201cDertli Divan\u0131\u201d isimli bir kitab\u0131 bulunmaktad\u0131r.<\/div>\n
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D\u00eev\u00e2n-\u0131 Derdli (\u0130stanbul 1299, 1329) ad\u0131yla ta\u015f bask\u0131s\u0131 olarak birka\u00e7 defa bas\u0131lm\u0131\u015f olan divan\u0131n\u0131n en g\u00fcvenilir ne\u015fri Ahmet Talat (Bolu 1928) ve Ha\u015fim Nezihi Okay (\u0130stanbul 1954) taraf\u0131ndan yap\u0131lanlard\u0131r.<\/div>\n
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\u00a0Alevi-Bekta\u015fi inan\u00e7lar\u0131na ba\u011fl\u0131d\u0131r. A\u011f\u0131r bir dil kullan\u0131r, \u015fiirlerinde toplumsal ele\u015ftiri ve ta\u015flamalar \u00f6ne \u00e7\u0131kar.<\/div>\n
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Bekta\u015fi gelene\u011fine ba\u011fl\u0131 toplumsal yergi i\u00e7erikli \u015fiirleri, \u015fathiyeleri ve softal\u0131\u011f\u0131, yobazl\u0131\u011f\u0131 ele\u015ftiren \u015fiirleriyle tan\u0131nan bir halk ozan\u0131d\u0131r. Ta\u015flamalar\u0131yla \u00fcnl\u00fcd\u00fcr.<\/div>\n
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\u00d6nce Halveti tarikatine girdi\u011fi daha sonra Bekta\u015fili\u011fe y\u00f6nelmi\u015ftir.<\/div>\n
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Dertlinin Etkileri<\/div>\n
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Dertli\u2019 yi biraz da Tanzimat \u015fairi sayabiliriz. II. Mahmut ve Abd\u00fclmecit gibi yenilik\u00e7i padi\u015fahlar\u0131n, \u0131slahat ve Tanzimat devirlerini ya\u015fam\u0131\u015f olan bu \u015fair, o \u00e7a\u011flar\u0131n sosyal de\u011fi\u015fmelerine ilgisiz kalmam\u0131\u015ft\u0131r. Toplum hadiseleriyle en \u00e7ok ilgilenen halk \u015fairlerimiz Dertli ve Seyran\u00ee\u2019dir. Dertli Tanzimat\u2019\u0131n \u00fcsl\u00fbp ve havas\u0131na o kadar b\u00fcr\u00fcnm\u00fc\u015ft\u00fcr ki:<\/div>\n
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\u2018Bir ba\u015f\u0131ma kalsam \u015faha, sultana kul olmam<\/div>\n
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Viran olas\u0131 h\u00e2nede evlad \u00fc \u0131yal var<\/div>\n
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\u2018D\u00fbr olmay\u0131 ister mi ki\u015fi \u00f6z vatan\u0131ndan<\/div>\n
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\u201cEy Dertli bi\u00e7are, bu esrarda ne hal var\u2019 gibi beyitleri Nam\u0131k Kemal\u2019e yak\u0131\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Daha Nam\u0131k Kemal do\u011fmadan \u00f6len bu halk \u015fairinin ger\u00e7ekten az \u00e7ok Nam\u0131k Kemal \u00fcslubunun bir yan\u0131n\u0131 haz\u0131rlayanlardan oldu\u011fu s\u00f6ylenebilir.\u201d (Ahmet Kabakl\u0131)<\/div>\n
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\u201cBizim saz \u015fiirlerinde a\u015fk-\u0131 Felat\u00fbni bir taraftan lirik \u015fiirleri, di\u011fer taraftan da kalendir\u00ee denilen manzumeleri ilham etmi\u015ftir. \u015eimdi bir iki g\u00fczel misal vereyim:<\/div>\n
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\u201cKoca Dertli\u2019yi evvel zikretmeliyim. Bu adam hakikaten m\u00fclhem bir \u00e2\u015f\u0131kt\u0131r. Onda \u015f\u00fcphem yok! \u015eu a\u015fa\u011f\u0131daki divan o sermesti-yi a\u015fk ile irticalen s\u00f6ylenmi\u015f bir \u015fiirdir ki bug\u00fcn en kibar saz meclislerimizde \u2018Kesik Kerem\u2019 ahengiyle okunur ve \u015farkl\u0131 olan her g\u00f6nle dokunur. Bug\u00fcnk\u00fc \u0130stanbul z\u00fcrefas\u0131n\u0131n bu divana verdi\u011fi k\u0131ymet ve ehemmiyet \u2013maktulen heder olup giden \u2013 zavall\u0131 Dertli\u2019nin ruhunu \u015fad edecek bir \u015feref, bir kadir\u015finasl\u0131kt\u0131r.<\/div>\n
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\u2018\u00c2\u015f\u0131k\u0131n bin bela gelir ba\u015f\u0131na<\/div>\n
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Tahamm\u00fcl gerektir ad\u00fb ta\u015f\u0131na<\/div>\n
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\u015eem-i r\u00fbhsar\u0131na, a\u015fk ate\u015fine<\/div>\n
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Yanmadan seyretsin pervane beni!<\/div>\n
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\u2018Bakmazlar Dertli\u2019ye mahzundur diye<\/div>\n
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Hakikat bahr\u0131na dalg\u0131nd\u0131r diye<\/div>\n
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Bir sa\u00e7\u0131 Leyla\u2019ya Mecnun\u2019dur diye<\/div>\n
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Yazd\u0131lar deftere, divane beni!\u201d\u00a0 \u00a0 ( R\u0131za Tevfik )<\/div>\n
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En \u00dcnl\u00fc Ta\u015flamas\u0131 “\u015eeytan Bunun Neresinde”<\/div>\n
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A\u015f\u0131k Dertli bu ta\u015flamay\u0131 d\u00f6neminde \u201csaz \u00e7alman\u0131n g\u00fcnah oldu\u011funu, \u015feytanlar\u0131n saz \u00e7alan ki\u015finin ba\u015f\u0131na topland\u0131\u011f\u0131n\u0131\u201d s\u00f6yleyenleri ele\u015ftirmek i\u00e7in yazm\u0131\u015ft\u0131r. 2001 y\u0131l\u0131nda Pentagram adl\u0131 heavy metal grubu bu ta\u015flamas\u0131n\u0131 \u015fark\u0131ya \u00e7evirmi\u015ftir.<\/div>\n
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HAKKINDA: A. Tal\u00e2t Onay \/ \u00c2\u015f\u0131k Dertli: Hayat\u0131 ve Divan\u0131 (1928), Saime \u00c7elikel \/ \u00c2\u015f\u0131k Dertli Divan\u0131 (1943), A. Tal\u00e2t Onay \/ Dertli ve Seyr\u00e2n\u00ee Eseri M\u00fcnasebetiyle (T\u00fcrk Folklor Ara\u015ft\u0131rmalar\u0131, say\u0131: 62, 1954), S. N\u00fczhet Ergun \/ Bekta\u015f\u00ee \u015eairleri (1930), Sadettin N\u00fczhet Ergun \/ Halk Edebiyat\u0131 Antolojisi (1938), Fuad K\u00f6pr\u00fcl\u00fc \/ T\u00fcrk Saz \u015eairleri (c. 3, 1940), \u0130bn\u00fclemin Mahmud Kemal \u0130nal \/ Son As\u0131r T\u00fcrk \u015eairleri II, Cahit \u00d6ztelli \/ Dertli-Seyr\u00e2n\u00ee (Hayat\u0131, Sanat\u0131, \u015eiirleri, 1953), Cevdet Canpulat \/ Dertli ve Seyr\u00e2n\u00ee (T\u00fcrk Folklor Ara\u015ft\u0131rmalar\u0131, Say\u0131: 61,\u00a0 1954), H. Nezihi Okay \/ Bolulu Dertli: Divan\u0131-Hayat\u0131-\u015eiirleri (1954), Fuad K\u00f6pr\u00fcl\u00fc \/ Saz \u015eairleri (1962), Refik Ahmet Sevengil \/ Y\u00fczy\u0131llar Boyunca Halk \u015eiiri (1965), \u015eemsettin Kutlu \/ \u015eair Dertli (1979), Abdullah U\u00e7man \/ R\u0131za Tevfik\u2019in Tekke ve Halk Edebiyat\u0131 ile \u0130lgili Makaleleri (1982), Beh\u00e7et Necatigil \/ Edebiyat\u0131m\u0131zda \u0130simler S\u00f6zl\u00fc\u011f\u00fc (1983), Turgut Karabey \/ Dertli \u0130brahim (TDE Ansiklopedisi, c. 2), \u015e\u00fckran Kurdakul \/ \u015eairler ve Yazarlar S\u00f6zl\u00fc\u011f\u00fc (gen. 6. bas. 1999).<\/div>\n
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1<\/div>\n
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Telli sazd\u0131r bunun ad\u0131<\/div>\n
Ne ayet dinler ne kad\u0131<\/div>\n
Bunu \u00e7alan anlar kendi<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
<\/div>\n
Venedik’ten gelir teli<\/div>\n
Ard\u0131\u00e7 a\u011fac\u0131ndan kolu<\/div>\n
Be Allah’\u0131n sersem kulu<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
<\/div>\n
Abdest alsan ald\u0131n demez<\/div>\n
Namaz k\u0131lsan k\u0131ld\u0131n demez<\/div>\n
Kad\u0131 gibi haram yemez<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
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\u0130\u00e7inde mi d\u0131\u015f\u0131nda m\u0131<\/div>\n
Burgusunun ba\u015f\u0131nda m\u0131<\/div>\n
G\u00f6\u011fs\u00fcn\u00fcn nak\u0131\u015f\u0131nda m\u0131<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
<\/div>\n
Dut a\u011fac\u0131ndan teknesi<\/div>\n
Kiri\u015ften ba\u011fl\u0131 perdesi<\/div>\n
Behey insan\u0131n teresi<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
<\/div>\n
Dertli gibi sar\u0131ks\u0131zd\u0131r<\/div>\n
Aya\u011f\u0131 da \u00e7ar\u0131ks\u0131zd\u0131r<\/div>\n
Boynuzu yok kuyruksuzdur<\/div>\n
\u015eeytan bunun neresinde<\/div>\n
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2<\/div>\n
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Abdall\u0131\u011f\u0131n binas\u0131n\u0131 sorarsan<\/div>\n
Allah bir Muhammed Al\u00ee abdald\u0131r<\/div>\n
Hak\u0131ykat ilminin asl\u0131n sorarsan<\/div>\n
C\u00fcmle ululardan ulu Abdald\u0131r.Ben bu Abdall\u0131ktan ger\u00fcye kalmam<\/div>\n
Tuttum Abdall\u0131\u011f\u0131 elden b\u0131rakmam<\/div>\n
Hem Had\u00eece hem Fat\u00eema hem Selman<\/div>\n
Kemer-bestelerin beli Abdald\u0131rMuhammed k\u0131rklara bir hayal g\u00f6rd\u00fc<\/div>\n
Ol hayal ne imi\u015f asl\u0131na erdi<\/div>\n
Firdevs-i a’l\u00e2dan i\u00e7eri girdi<\/div>\n
\u00d6ten b\u00fclb\u00fcllerin dili Abdald\u0131rMuhammed k\u0131rklara bel\u00ee bes dedi<\/div>\n
Al\u00ee’yi g\u00f6r\u00fcnce Allah dost dedi<\/div>\n
Hak Muhammed Abdal olmak istedi<\/div>\n
Muhammed Al\u00ee’nin yol Abdald\u0131rDertli kemter anlad\u0131n m\u0131 hisab\u0131<\/div>\n
Seyyid Battal Gazi Abd\u00fclvehh\u00e2b’\u0131<\/div>\n
Hem doksan bin halifenin sahab\u0131<\/div>\n
H\u00fcnk\u00e2r Hac\u0131 Bekta\u015f Vel\u00ee Abdald\u0131r.<\/div>\n
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3<\/div>\n
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Sakiya cam\u0131nda nedir bu esrar<\/div>\n
K\u0131ld\u0131 bir katresi mestane beni<\/div>\n
\u015earab-\u0131 lalinde ne keyfiyet var<\/div>\n
S\u00f6yletir efsane efsane beni.Refet nikab\u0131n\u0131 ey vech-i enver<\/div>\n
Zulmette g\u00f6nl\u00fcm\u00fcz olsun m\u00fcnevver<\/div>\n
\u015earab-\u0131 lalinin lezzeti dilber<\/div>\n
Gezdirir meyhane meyhane beni.A\u015f\u0131k\u0131n \u00e7ok bela gelir ba\u015f\u0131na<\/div>\n
Tahamm\u00fcl gerektir adu ta\u015f\u0131na<\/div>\n
\u015eem -i ruhsar\u0131na a\u015fk ate\u015fine<\/div>\n
Yanmada seyretsin pervane beni.Bakmazlar Dertli’ye alg\u0131nd\u0131r deyu<\/div>\n
Hakikat bahrine dalg\u0131nd\u0131r deyu<\/div>\n
Bir sa\u00e7\u0131 Leyla ‘ya mecnundur deyu<\/div>\n
Yazd\u0131lar deftere divane beni.<\/div>\n
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4<\/div>\n
Har\u00e2ba kul olduk bezm-i elemde<\/div>\n
Abat olsak da bir, olmasak da bir!<\/div>\n
D\u00fc\u015ft\u00fck \u00e7are nedir d\u00e2ma \u00e2lemde<\/div>\n
Azat olsak da bir, olmasak da bir!A\u015fk oduna yanm\u0131\u015f ci\u011fer-kebab\u0131z<\/div>\n
Hicr ile giry\u00e2n\u0131z, dide p\u00fcr-ab\u0131z<\/div>\n
Yap\u0131lm\u0131\u015f, y\u0131k\u0131lm\u0131\u015f, hane-harab\u0131z<\/div>\n
B\u00fcnyat olsak da bir, olmasak da bir!Bir \u015eirin elinden a\u015fk meyin i\u00e7tik<\/div>\n
Hak ile bat\u0131l\u0131 farkedip se\u00e7tik<\/div>\n
Varl\u0131k da\u011flar\u0131n\u0131 deldik de ge\u00e7tik<\/div>\n
Ferhat olsak da bir, olmasak da bir!Ey Dertli \u00e2lemde biz \u015fah-\u0131 diliz<\/div>\n
Hak’tan hakikatten \u00e2g\u00e2h-\u0131 diliz<\/div>\n
Tarik-i esr\u00e2ra ervah-\u0131 diliz<\/div>\n
\u0130r\u015fat olsak da bir, olmasak da bir<\/div>\n
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5<\/div>\n
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A\u015fk ehline derman sordum \u00e2lemde<\/div>\n
Ne Efl\u00e2tun bilir ne Lokman yazar<\/div>\n
Erb\u00e2b-\u0131 a\u015fk olan kal\u0131r matemde<\/div>\n
Anlar\u0131n ahv\u00e2lin peri\u015fan yazarBulunmaz \u00e2lemde b\u00f6yle dilrub\u00e2<\/div>\n
A\u015fk \u00fc muhabbeti ba\u015flara bel\u00e2<\/div>\n
M\u00fcnkiri \u00f6ld\u00fcrmek sevapt\u0131r amm\u00e2<\/div>\n
Z\u00e2lim kad\u0131 \u00fcst\u00fcm\u00fcze kan yazarDertli a\u015fk yolunda olmu\u015ftur gul\u00e2m<\/div>\n
Mastur ceb\u00eeninde harf-i elifl\u00e2m<\/div>\n
H\u00e2kimler hakk\u0131nda yazamaz il\u00e2m<\/div>\n
Yazarsa ferman\u0131m \u00c2l\u00ee\u015fan yazar<\/div>\n
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6<\/div>\n
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Y\u00fcr\u00fc g\u00f6n\u00fcl y\u00fcr\u00fc dostundan kalma<\/div>\n
Daim hat\u0131r\u0131n\u0131 soruver gitsin<\/div>\n
Eski d\u00fc\u015fman sak\u0131n dost olur sanma<\/div>\n
Arkas\u0131ndan b\u0131y\u0131k buruver gitsinE\u011fer arif isen d\u00fcnyadan el \u00e7ek<\/div>\n
Yalan meydan ald\u0131 t\u00fckendi ger\u00e7ek<\/div>\n
Bakt\u0131n bir d\u00fc\u015fman\u0131n seni serecek<\/div>\n
Sakal\u0131na piyaz veriver gitsinEy Dertli bu alem dost d\u00fc\u015fman olur<\/div>\n
Ki\u015fi sevdi\u011fine son pi\u015fman olur<\/div>\n
\u00d6fke baldan tatl\u0131 \u00e7ok ziyan olur<\/div>\n
Hayr et y\u00fcz\u00fcn hake s\u00fcr\u00fcver gitsin<\/div>\n
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7<\/div>\n
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Hat\u0131rlay\u0131p sual etmez halimden<\/div>\n
Kirpikleri kara kalem ka\u015fl\u0131 yar<\/div>\n
Zikr \u00fc fikri gitmez benim dilimden<\/div>\n
Anadan g\u00fclmedik garip ba\u015fl\u0131 yarEsb-i a\u015fka s\u00fcvar olsam yak\u0131\u015fmaz<\/div>\n
Hun-i didem deryalara kar\u0131\u015fmaz<\/div>\n
\u00c7oktan beri k\u00fcs\u00fcl\u00fcd\u00fcr bar\u0131\u015fmaz<\/div>\n
Benim ile mercime\u011fi ta\u015fl\u0131 yarDERTL\u0130 seril sefil gurbet ellerde<\/div>\n
Beyhude \u015f\u00f6hreti gezer dillerde<\/div>\n
Pa\u015fam gelir dey\u00fc g\u00f6z\u00fc yollarda<\/div>\n
Elleri k\u0131nal\u0131 g\u00f6z\u00fc ya\u015fl\u0131 yar<\/div>\n
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8<\/div>\n
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B\u00e2d-\u0131 sab\u00e2 benim hasb-i h\u00e2limden<\/div>\n
Var\u0131p nazl\u0131 y\u00e2re dedin, ne dedi<\/div>\n
C\u00fcnun-u a\u015fk ile \u00e2\u015f\u0131k-\u0131 \u015feyda<\/div>\n
Geziyor av\u00e2re dedin, ne dediNe vakt idi dost iline var\u0131\u015f\u0131n<\/div>\n
El ba\u011flay\u0131p divan\u0131na duru\u015fun<\/div>\n
Derdiment Dertli’yi an\u0131p soru\u015fun<\/div>\n
Gamzesi gadd\u00e2re dedin, ne dedi<\/div>\n
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9<\/div>\n
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Ok gibi hublar beni yaydan yabana att\u0131lar<\/div>\n
Bilmediler kadrimi ucuz pahaya satt\u0131lar<\/div>\n
Neydi vakt\u0131nda g\u00fczeller buseler vadettiler<\/div>\n
Bir s\u00f6z ile has\u0131l\u0131 \u015fu g\u00f6nl\u00fcm\u00fc aldatt\u0131larHani ya sad\u0131k deyu methetti\u011fin ol nevcivan<\/div>\n
D\u00fcn gece o dilberi bir badeye oynatt\u0131lar<\/div>\n
G\u00f6rd\u00fcm o huri s\u0131fat a\u011fyar ile \u00fclfet eyler<\/div>\n
Hasetinden Derdli’yi toplar gibi patlatt\u0131lar<\/div>\n
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10<\/div>\n
<\/div>\n
Havalanma telli turnam<\/div>\n
U\u00e7up gitme yele kar\u015f\u0131<\/div>\n
Z\u00fcl\u00fcflerin tel tel olmu\u015f<\/div>\n
D\u00f6k\u00fcp gitme yele kar\u015f\u0131Davlumbaza vur turay\u0131<\/div>\n
D\u00fcnden avlad\u0131k buray\u0131<\/div>\n
Getir o\u011flan boz kulay\u0131<\/div>\n
Binem gidem yare kar\u015f\u0131\u015eahinim var bazlar\u0131m var<\/div>\n
\u00d6rde\u011fim var kazlar\u0131m var<\/div>\n
Yare tenha s\u00f6zlerim var<\/div>\n
Diyemem agy\u00e2ra kar\u015f\u0131Dertli der ki d\u00fcnya fani<\/div>\n
Seni seven n\u2019eyler mal\u0131<\/div>\n
Yak\u0131\u015fmazsa \u00f6ld\u00fcr beni<\/div>\n
Ye\u015fil giyin ala kar\u015f\u0131<\/div>\n
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11<\/div>\n
Havalanma telli turnam<\/div>\n
U\u00e7up gitme yele kar\u015f\u0131<\/div>\n
Z\u00fcl\u00fcflerin tel tel olmu\u015f<\/div>\n
D\u00f6k\u00fcp gitme yele kar\u015f\u0131<\/div>\n
<\/div>\n
Davlumbaza vur turay\u0131<\/div>\n
D\u00fcnden avlad\u0131k buray\u0131<\/div>\n
Getir o\u011flan boz kulay\u0131<\/div>\n
Binem gidem yare kar\u015f\u0131<\/div>\n
<\/div>\n
\u015eahinim var bazlar\u0131m var<\/div>\n
\u00d6rde\u011fim var kazlar\u0131m var<\/div>\n
Yare tenha s\u00f6zlerim var<\/div>\n
Diyemem agy\u00e2ra kar\u015f\u0131<\/div>\n
<\/div>\n
Dertli der ki d\u00fcnya fani<\/div>\n
Seni seven n\u2019eyler mal\u0131<\/div>\n
Yak\u0131\u015fmazsa \u00f6ld\u00fcr beni<\/div>\n
Ye\u015fil giyin ala kar\u015f\u0131<\/div>\n
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Mehmet \u00d6zg\u00fcr Ersan<\/div>\n
Abdal Yesari<\/div>\n
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Kaynak :<\/div>\n
<\/div>\n
1)Ahmed Talat [Onay], \u00c2\u015f\u0131k Dertli: Hayat\u0131 ve Div\u00e2n\u0131, Bolu 1928.<\/div>\n
<\/div>\n
2)a.mlf., \u201cDertli ve Seyr\u00e2n\u00ee Eseri M\u00fcnasebetiyle\u201d, TFA, sy. 62 (1954), s. 1006-1008.<\/div>\n
<\/div>\n
3)Sadettin N\u00fczhet [Ergun], Bekta\u015f\u00ee \u015eairleri, \u0130stanbul 1930, s. 53-55.<\/div>\n
<\/div>\n
4)M. Fuad K\u00f6pr\u00fcl\u00fc, T\u00fcrk Saz\u015f\u00e2irleri, Ankara 1965, s. 772-787.<\/div>\n
<\/div>\n
5)\u0130bn\u00fclemin, Son As\u0131r T\u00fcrk \u015eairleri, II, 886-889.<\/div>\n
<\/div>\n
5)Cahit \u00d6ztelli, Dertli-Seyr\u00e2n\u00ee (Hayat\u0131, Sanat\u0131, \u015eiirleri), \u0130stanbul 1953, s. 3-10, 27-53.<\/div>\n
<\/div>\n
6)H. Nezihi Okay, Bolulu Dertli: Div\u00e2n\u0131, Hayat\u0131 ve \u015eiirleri, \u0130stanbul 1954.<\/div>\n
<\/div>\n
7)R\u0131za Tevfik\u2019in Tekke ve Halk Edebiyat\u0131 ile \u0130lgili Makaleleri (haz. Abdullah U\u00e7man), Ankara 1982, s. 96-97, 103-104, 163, 340.<\/div>\n
<\/div>\n
8)Beh\u00e7et Necatigil, Edebiyat\u0131m\u0131zda \u0130simler S\u00f6zl\u00fc\u011f\u00fc, \u0130stanbul 1983, s. 127-128.<\/div>\n
<\/div>\n
9)\u015eemsettin Kutlu, Dertli, Ankara 1988.<\/div>\n
<\/div>\n
10)Cevdet Canpulat, \u201cDertli ve Seyr\u00e2n\u00ee\u201d, TFA, sy. 61 (1954), s. 971-973.<\/div>\n
<\/div>\n
11)H\u00fcsn\u00fc K\u0131nayl\u0131, \u201cDerdli\u201d, \u0130st.A, VIII, 4471.<\/div>\n
<\/div>\n
12 )Turgut Karabey, \u201cDertli, \u0130brahim\u201d, TDEA, II, 253-255.<\/div>\n
<\/div>\n
13)https:\/\/www.turkedebiyati.org\/dertli.html<\/a><\/div>\n
14)https:\/\/tr.m.wikipedia.org\/wiki\/%C3%82%C5%9F%C4%B1k_Dertli<\/a><\/div>\n
15)https:\/\/islamansiklopedisi.org.tr\/dertli<\/a>\u00a0 TDV \u0130sl\u00e2m Ansiklopedisi\u2019nin 1994 y\u0131l\u0131nda \u0130stanbul\u2019da bas\u0131lan 9. cildinde, 186-187 numaral\u0131 sayfalarda yer alm\u0131\u015ft\u0131r.<\/div>\n<\/div>\n
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A\u015f\u0131k Dertli (1772, Bolu – 1846, Ankara), T\u00fcrk halk ozan\u0131.Bolu ile Gerede aras\u0131nda Re\u015fadiye (\u00c7a\u011fa, Yeni\u00e7a\u011fa) nahiyesine ba\u011fl\u0131 \u015eahnalar k\u00f6y\u00fcnde 1772 y\u0131l\u0131nda do\u011fan Dertli, 1845 y\u0131l\u0131nda Ankara’da \u00f6lm\u00fc\u015ft\u00fcr. Mezar\u0131 Gerede…<\/p>\n","protected":false},"author":1,"featured_media":463,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-makale"],"_links":{"self":[{"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/posts\/462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=462"}],"version-history":[{"count":1,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/posts\/462\/revisions"}],"predecessor-version":[{"id":464,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/posts\/462\/revisions\/464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=\/wp\/v2\/media\/463"}],"wp:attachment":[{"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mehmetozgurersan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}